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Reluctant Heroes, an Avatar: Last Airbender + Attack on Titan/進撃の巨人 Crossover fanfic | FanFiction
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As an independent with no affiliations to the large management companies like H. Tennent, he was keen to see the ban challenged. The TMA insisted that any such extract should be no longer than forty minutes — in the event the running time of the scenes totalled thirty-nine minutes, forty-five seconds memo from Michael Henderson, 16 May Equity also stipulated that any broadcast must be played before a live audience, and so Brian Rix and the BBC conceived the idea that on the night a paying audience would see the show at 6.
This show would also serve as a full camera rehearsal, and then the auditorium would be cleared by around 8.
Reluctant Heroes: The Story of Elbow
Final preparations would then be made — the cameras, of course, having been rigged earlier and rehearsals having taken place — and an invited house would be let in for the live broadcast to begin at 9. Even though only the first act was to shown on television, the audience in the theatre would enjoy a performance of the whole show.
The audience, too, were well-oiled. Many a member of the Honourable Artillery Company was out front — arranged by my solicitor, Geoffrey Posner — as well as members of the Armed Forces invited from the Nuffield Centre.
Most had whiled away the hours of waiting in the near-by clubs and pubs […] The result was a pleasantly pissed audience, prepared to roll about at every available opportunity. And they did. In a Programme Report submitted two days after transmission, producer Michael Henderson detailed his approach to the broadcast:.
As the play had been running for eighteen months it was decided that we could not try to alter the grouping, particularly as they had a public performance between the television rehearsal and transmission. Eventually I did ask for about six small changes in moves and the artistes remembered every one of them.
I saw the show eleven times plus two rehearsals plus transmission, making fourteen in all.